Tuesday, 14 August 2012

APA References



Belton, J. (1994). American Cinema/ American Culture. New York: McGraw-Hill, Inc. pp. 197-199.

Buckland, W. (2003). Teach Yourself Film Studies. London: Hodder Education. pp. 117-119.


Dickos, A. (2002). Street with No Name: A History of the Classic American Film Noir. United States: National Endowment for the Humanities. pp. 1-10


Hayward, S. (2006). Cinema Studies: The Key Concept (3rd Edition). Great Britain: Routledge. pp. 148-153.

Kolker,R. (2006). Film, Form & Culture (3rd ed.).New York: McGraw-Hill. pp. 243-247.


Lewis, J. (2008). American Film: A History. New York: W. W. Norton & Company. pp. 201-207.


Libassu, M. (2007, Spring). Neo-Noir: The literary adaption tribute. Horizon Literary Magazine, 24, 14.


Films :

David O. Selznick (Producer), Alfred Hitchcock (Director). (1940) Rebecca [Motion Picture]. United State: 

Selznick International Pictures.

DeSylva, B., Sistrom, J. (Producer), & Wilder, B. (Director). (1944). Double Indemnity [Motion picture]. United States: Paramount Pictures.


Reed, C.  (Producer), & (Director). (1949). The Third Man [Motion Picture]. United Kingdom: London Films.


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